There and back again
Jun 25, 2012 § Leave a comment
Synopsis: Our hero embarks on an epic journey through an infinite chain of alternate earths, accompanied by an annoying computer. Then he comes back.
That’s it. There’s no story to speak of. Plenty of incident, but this is a Gulliver’s Travels voyage of wonder rather than a closely-plotted adventure. There are long static passages in which one of the characters (usually the computer) explains to the others what is going on. Fortunately for the authors nobody in the book ever figures out how the alternate earths work, so there is plenty of scope for marvels. Think Discworld magic with extra quantum.
More Pratchett than Baxter, full of the dry absurdities one looks forward to – the machine that allows nearly everyone to travel between worlds is powered by a potato; the computer is the reincarnation of a Tibetan car mechanic named Lobsang. Characters combine eccentricity and common sense in about the same proportion as the Ankh-Morpork City Watch – Sister Agnes is a nun who rides a Harley and has a poster of Meat Loaf on her wall next to the Sacred Heart. Hermione Dawes is the British Prime Minister’s secretary. She also owns every single track ever cut by Bob Dylan.
Some of the ideas are a little derivative. The AI, which controls everything down to the drinks machine, is a touch Ian M Banks. The alternate earth theme has a respectable history, although Pratchett and Baxter give it a new twist. The steam-punk airship in which the adventurers travel could have come from The League of Extraordinary Gentlemen.
There are elves and trolls, of a sort, but the book has more in common with the Johnny Maxwell trilogy than the Discworld. This is not simply because most of the characters are contemporary and human. As occasionally happens in Pratchettt’s books, he seems uncertain about the age group he is pitching to. Characters first encountered aged 10 never quite grow up even though some of them grow older.
Pratchett and Baxter fans will enjoy this, though perhaps not to the extent of shelling out for the hardback. The authors clearly had a great time, so that’s all right.